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VENICE - Japan dominated the digital cinema competition at this year's Venice Film Festival, taking home the top two awards in the sidebar sponsored by the Bologna-based Future Film Festival.
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HONG KONG -- Imagi International, developer of "Astro Boy," said Thursday that it has sold an additional 7.56% stake in the company to a subsidiary of Hong Kong property developer Shui On Holdings.
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BEIJING - With seed money painstakingly accumulated over four years of taking odd jobs in the United States, Dennis Wang Zhongjun launched what is now China's biggest private movie production firm, headed for an IPO.
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HONG KONG -- Shaw Brothers, owner of Hong Kong television leader TVB, is in negotiation with several parties interested in its major assets but has not yet received an official buyout proposal, deputy chairperson Mona Fong told shareholders Wednesday.
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SINGAPORE -- ESPN Star Sports and Formula One Management have agreed to renew their relationship for another five years, giving the broadcaster exclusive rights to the FIA Formula One World Championship across multiple platforms in 24 Asian markets.
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SINGAPORE -- Cox Communications, the third-largest cable provider in the U.S., and Star, a wholly-owned subsidiary of News Corp., are launching a trio of popular Indian television channels on Cox Communications' digital cable platform in Northern Virginia.
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| Miyazaki's 'Ponyo on the Cliff by the Sea' |
VENICE -- The presence of two Japanese animation movies in competition at the Venice film festival this year has created a contest within a contest, and brought to the big screen two strikingly different pictures.
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| "All Around Us" |
Charting the highs and lows of a 10-year marriage is a film subject as prosaic as a TV ad for life insurance, but in the hands of Ryosuke Hashiguchi ("Hush"), it is nothing short of transcendent.
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While the exploiting middlemen amassed huge wealth out of the weavers' art, these toiling men barely survived. The film appears headed for a successful journey on the festival circuit and in specialty venues.
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The unostentatious artistry is reminiscent of Ozu's "Tokyo Story," but his documentary-style film language is refreshingly contemporary.
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